Art History through the 19th Century (Final Compare and Contrast Term Essay

Art History through the 19th Century (Final Compare and Contrast endpoint Paper) - Essay ExampleHe was born in Flanders. Rubens was raised Catholic, which was reflected in many of his impressions (Belkins, 11). The environment Rubens grew up with a Calvinist father and mother. Since Rubens father was away(p) at King William of Orange I, his mother taught him to be a Catholic after moving to Antwerp (Belkins, 16). The anti-Protestant environment in Flanders caused this move. After studying under Titan, Rubens genuinely came into his own. His sublime portraits dealt with the ugly subjects many would not touch.In comparison, Delacroix was a French Romantic painter. He was trained as a classical painter at the time. After visiting England, Delacroix started illustrating different works of writing. His clients included Shakespeare and Lord Byron. Both Rubens and Delacroix were affected by royal courts. Rubens was affected by William of Orange I and Delacroix was spunk by the Neapolit an royal courts. Delacroix was influenced by Rubens artwork.Since Ruben was a Baroque painter, his paintings including Allegory of the Outbreak of War, is an emotional religious generated piece of art. Since being a Catholic, Rubens paintings had symbolisation of right and wrong. Even though it might seem blasphemous to paint pictures of ancient gods, but the painting was an allegory. Since it was popular under the Catholic Medicis to require works under the Baroque styles, Ruben fulfilled this goal with most of his work.Delacroix, on the other hand, was a painter from the Romantic era, which means Death of Sardanapalus was in that style. The painting was based on a work by Lord Byron. The sublime content of the painting was typical of the Romanticism style. The nationalism of Sardanapalus killing himself for losing in a military battle is also a factor in a Romanticism painting.Monsters, a broken lute, Mars feet on a book, and the women all impart sorrowful looks and torn veils, all signify the horrors of war (Cooper). The allegory